Friday, July 3, 2009

Pop culture meets surrealism

Review of Originalé, solo exhibition of Louis Minnaar's work
by Janet Botes

At first glance the viewer is transported into a fantasy world in black and white - flying birds, wrinkled men and spider creatures share a space with arrows thrown through the sky and into people, birds and pictures. Dynamic images on screens, as well as recordings in a streetlamp and owl-resembling recorder/player, further enhanced the surreal quality of Louis work in the small space of Salon 91.

His stylised illustration style, the simplity of the imagery and the diversity in form are some of the characteristics making the collection of work a unity without losing the viewer’s interest. Surreal combinations of misformed human bodies and animalistic forms create a phantasmorical undercurrent – and thus creating an own visual language with metaphors that could possibly represent a pursuit of sanity. This is further enhanced by the use of his digital motion manipulations or footage displayed on screens, of which imagery includes sea creatures. The innovative use of audio further expands the tangible manifestation of Minnaar’s ideas.

Balance between the minimalist nature of the black and white imagery and a complexity of content is achieved by using a wide variety of forms, and subjects that include arrows, large eyes, birds, spiders, creatures, ligaments and morphed features. The strange juxtapositions and experimental nature of the work begs for classification as contemporary art, while the graphic quality and clarity of imagery makes it accessible and open to interpretation by a very wide audience.

Little in the work illustrates purely local content, and rather puts the work in a universal and global market. In a South African context, this might reflect on a need of artists to reach further than national borders to make a living or make a difference through their art. But it could also reflect a deeper dissatisfaction with supporting obvious association with Africa, South Africa and the sometimes hyped-up diasporas it create. Regardless of the many different opinions, views and interpretations his work will spark, Louis Minnaar seems to be one of the forerunners for a new state of visual expression in art.

The exhibition runs 30 June 209 – 27 July 2009 at
Salon 91, 91 Kloof Street, Gardens, Cape Town.
Gallery hours Tue-Fri 10am-6pm Sat 10am-2pm

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